本案是新北市立美術館開館前期的數位行銷與美感教育專案。我以互動邏輯顧問的身分,協助新北市政府文化局跳脫傳統網站框架,把美術館的教育理念轉譯成一個有互動深度、也有情感共鳴的數位體驗。
This project was a strategic digital marketing and aesthetic education initiative developed during the pre-launch phase of the New Taipei City Art Museum. Serving as the Interaction Logic Consultant, I assisted the Cultural Affairs Bureau of the New Taipei City Government in breaking away from traditional web frameworks, transforming the museum's educational philosophy into a digital experience defined by interactive depth and emotional resonance.
顧問重點與策略架構
雙受眾 UX 策略——在橫向捲動的敘事裡,我設計了「開門折」式的資訊層次:孩子讀圖像故事,家長則能透過隱藏的折頁取得專業的美感教育方法與步驟,形成一個親子共學的數位空間。
把發展心理學放進設計——針對兒童繪畫發展的「圖式期」(7 至 9 歲),我建議把「基底線」與「主觀空間透視」等概念放進視覺呈現。這不只是設計選擇,而是對孩子如何理解世界的一次致敬。
視差敘事與單頁架構——為了解決行動裝置上的體驗痛點,我規劃了以視差捲動驅動的單頁網站,讓館藏在敘事推進中自然浮現。主角穿過城市與自然的各種「門」,象徵藝術源自每個人對周遭環境的主觀解讀。
技術邏輯與電影感轉場——我在互動轉場的邏輯上提供指引,以流暢的動態,含蓄地對比孩子與成人看世界的方式。此外也為一般版網站的 VR 體驗頁提供結構建議,確保技術的投入直接服務於推廣藝術這個核心任務。
Consulting Focus & Strategic Framework
Dual-Audience UX Strategy — In the horizontal scrolling narrative, I designed a "gate-fold" information hierarchy. This allows children to engage with the illustrated story while parents can access professional art education methods and steps via hidden folds, creating a digital space for parent-child co-learning.
Developmental Psychology in Design — Specifically addressing the "Schematic Stage" (ages 7–9) in children's art development, I advised the integration of concepts such as "base lines" and "subjective spatial perspective" into the visual presentation. This approach is not merely a design choice but a profound tribute to how children perceive the world.
Parallax Storytelling & One-Page Architecture — To resolve UX pain points on mobile devices, I architected a One-Page Website utilizing Parallax Scrolling to allow museum collections to emerge naturally within a narrative. The protagonist navigates through various "portals" in the city and nature, symbolizing that art originates from an individual's subjective interpretation of their environment.
Technical Logic & Cinematic Transitions — I provided guidance on the logic of interactive transitions, using fluid animations to subtly contrast the different ways children and adults view the world. Furthermore, I provided structural recommendations for the VR experience pages on the general version of the site, ensuring that technological application directly served the core mission of art promotion.
| Interaction Logic Consultant | Wei-Xun Weng |
| Client | Cultural Affairs Bureau, New Taipei City Government |
| Year | 2016 |