
農曆三月十九、二十的「北港小過年」,是台灣民間信仰能量最盛的時刻之一。本案希望以數位敘事,把北港朝天宮深厚的文化底蘊與當代的社會公益接起來。
視覺與動態策略——動畫製作上,我以「萬年香爐」作為敘事的核心元素。捕捉火光乍現的那一瞬,引出媽祖與駕前神將的顯影,模擬遶境啟程前「唱班」那份莊嚴的氣息。
行銷與專案統籌——透過線上點燈與「祈福蔬菜箱」公益專案的相互帶動,我們在傳統宮廟、電商平台與社會公益之間搭起了一座橋。
The "Beigang Minor New Year," held on the 19th and 20th of the third lunar month, represents one of the most powerful moments of Taiwanese spiritual devotion. This project aimed to bridge the profound cultural heritage of Beigang Chaotian Temple with modern social welfare through digital storytelling.
VISUAL & MOTION STRATEGY — In the animation production, I utilized the "Eternal Incense Burner" as the core narrative element. By capturing the dynamic instant of a flame's burst, I guided the emergence of the divine imagery of Mazu and her guardians, simulating the solemn atmosphere of the "Chang-Ban" (ritualistic chanting) before the pilgrimage begins.
MARKETING & PROJECT COORDINATION — Through the synergy of online lamp-lighting and the "Fresh Vegetable Boxes for Charity" initiative, we successfully built a bridge between traditional temples, e-commerce platforms, and social welfare.




| Project | Beigang Chaotian Temple x VEGE KING: Online Blessing Campaign |
| Project Coordination | Wei-Xun Weng |
| Marketing Strategy | Wei-Xun Weng |
| Motion Design | Wei-Xun Weng |
| Key Visual Designer | Wen-Jin Yang (Kunyang Studio) |
| Copywriter | Chia-Yi Chien |
| Client | Beigang Chaotian Temple (北港朝天宮) |
| Special Thanks | VEGE KING (菜霸子股份有限公司), Kunyang Studio (臺北昆陽閣) |
| Year | 2022 |